SKU: 54820697662

Hans Burkhardt oil on panel entitled Dancing flames

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Hans Burkhardt oil on panel entitled Dancing flamesHans Burkhardt oil on panel entitled Dancing flames From the collection of Dr. Aurelio de la Vega, the world renowned Cuban composer, conductor, and music professor, who taught at Cal State Northridge (CSUN) for over three decades, during which time he was Distinguished Professor of Music and Director of the Electronic Music Studio. This gorgeous work on panel was acquired around the mid 1990's, by the present owner. It is unframed, and in very good

Hans Burkhardt oil on panel entitled Dancing flames

From the collection of Dr. Aurelio de la Vega, the world renowned Cuban composer, conductor, and music professor, who taught at Cal State Northridge (CSUN) for over three decades, during which time he was Distinguished Professor of Music and Director of the Electronic Music Studio.

This gorgeous work on panel was acquired around the mid 1990's, by the present owner. It is unframed, and in very good condition.

It is signed, dedicated and dated 1993. This work measures 9.5 × 14.25" (24.1 × 36.2 cm).

Hans Burkhardt (1904 – 1994) was a Swiss-American artist who immigrated to New York in 1924. He studied at Cooper Union and then at Grand Central School, where he met Arshile Gorky, a pivotal artist in the transition from Surrealism to Abstract Expressionism. Burkhardt quickly became Gorky’s colleague and trusted friend. They even collaborated on several works. From 1928 to 1937, Burkhardt shared Gorky’s studio. Willem de Kooning, another Gorky disciple, was a frequent guest.

Moving to Los Angeles in late 1937, Burkhardt served as a link between East and West Coast progressive art. Anticipating the work of his contemporaries in New York and Europe, he began to forge his signature style. From the 1930s through his final work in 1993, Burkhardt’s art presents a poignant testament to the human experience. His output includes monumental anti-war work (“the fiercer ones”) as well as lyrical expressions of hope (“the happy ones”). His anti-war work responded to the Spanish Civil War, World War II, Korea, Vietnam, and conflicts in Central America and Iraq. It is for good reason that Eugene Anderson wrote that Burkhardt was “Goya’s spiritual heir.” Explaining his choice of subjects, Burkhardt simply stated, “I paint the way I live.” 
In the 1940s Burkhardt met and exhibited with a group of transplanted Surrealists in Los Angeles, including Man Ray, Knud Merrild, and Eugene Berman. Describing his work of this time, he wrote, “(my) paintings evolve out of emotions and ideas” — a process not unlike the Surrealist’s conception of the genesis of creative thought.

In 1950, while Painterly and Color Field Abstract Expressionism held sway in New York, Burkhardt worked in isolation in Los Angeles and Mexico, painting rich abstract work of extraordinary emotional range. 

During the 60s, as the Los Angeles art world was seduced by California Light and Space, Hard Edge, Minimalism, and Pop Art, Burkhardt continued to paint independent works of great emotional power. His masterpiece, My Lai, includes human skulls embedded into a dark scorched earth surface reminiscent of Baroque altarpieces. This work predates work by such artists as Anselm Kiefer by twenty years. Suggesting a legacy for the artist, Donald Kuspit wrote that “Burkhardt is a master — indeed the inventor — of the abstract memento mori.”

During the 70s, Burkhardt created a series of paintings entitled “Graffiti,” in which he responded to socio-political upheaval in his Swiss homeland. These Neo-Expressionist works anticipated the street art of Jean-Michel Basquiat.

Hans Burkhardt is known for his meticulously structured and balanced paintings that blur the distinction between abstraction and representation. Burkhardt continually returned to depictions of war through abstract paintings dated from as early as World War II and as recently as the Gulf War in the early 1990s. A talented draughtsman and former student of Arshile Gorky, Burkhardt thought painting must have careful drawing as its basis. He always sketched in pencil, pastels, or ink before building up his heavily layered, fleshy surfaces in oil.

In 1992, Burkhardt was honored in New York by the American Academy of Art for his lifetime achievement. He died in Los Angeles in 1994.

Just some of his solo shows and museums with this American Master's work in their permanent collections:

1939 Stendahl Gallery, Los Angeles
1945 Los Angeles County Museum of Art: “Hans Burkhardt”
1951 Museo de Bellas Artes, Guadalajara, Mexico: "Exhibicion de Pinturas Modernas" 
1953 Fisher Gallery, University of Southern California, Los Angeles
1957 Pasadena Art Museum, California: "Ten Year Retrospective"
1962 Palace of the Legion of Honor, San Francisco: "Thirty Year Retrospective"

1964 Palm Springs Art Museum
1968 San Diego Museum of Art: "Vietnam Paintings"
1972 Long Beach Museum of Art, California: "Retrospective 1950 – 1972" 
1973 California State University, Northridge: "A Retrospective Exhibition"
1977 Santa Barbara Museum of Art, California: "Linocuts and Pastels" 
1978 Laguna Beach Museum of Art, California: "Mark Tobey / Hans Burkhardt"
1982 Jack Rutberg Fine Arts, Los Angeles: "Arshile Gorky and Hans Burkhardt"
1983 Jack Rutberg Fine Arts, Los Angeles: "Hans Burkhardt: Basel Graffiti Series"
1984 Jack Rutberg Fine Arts, Los Angeles: "Pastels: 50 Years of Figurative Expressionism"
1985 Jack Rutberg Fine Arts, Los Angeles: "Hans Burkhardt: The War Paintings"
1990 Portland Art Museum, Oregon: "Mark Tobey and Hans Burkhardt"
1991 Jack Rutberg Fine Arts, Los Angeles: "Hans Burkhardt: Desert Storms" 
1992 American Academy of Arts and Letters, New York: "Hans Burkhardt"
2008 California State University Northridge: "Hans Burkhardt"
2017 Jack Rutberg Fine Arts in conjunction with the Getty Foundation’s Pacific Standard Time: LA/LA: "Hans Burkhardt in Mexico"

Hans Burkhardt’s works have in recent years increasingly been exhibited in museum exhibitions nationally and internationally. He continues to attract significant critical attention from some of the leading art historians such as Peter Selz and Donald Kuspit. Burkhardt’s works are included in the collections of such major museums as:

The British Museum, London
Victoria and Albert Museum, London 
Irish Museum of Modern Art, Dublin
Guggenheim Museum, New York
Whitney Museum, New York
Hirshhorn Museum, Washington, DC
The National Gallery of Art, Washington DC
Portland Art Museum, Portland
Harvard Art Museum, Boston
Philadelphia Museum of Art, Philadelphia
Lowe Art Museum, Miami, Florida, F
ine Arts Museum of San Francisco
Palace of the Legion Honor, San Francisco
Cal State University, Northridge (CSUN)
USC Fisher Museum of Art, Los Angeles
The Norton Simon Museum, Pasadena
Sonoma County Museum, Santa Rosa
Santa Barbara Museum of Art
Los Angeles County Museum of Art (LACMA).

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𝔹𝕠𝕠𝕜𝕄𝕠𝕥𝕙
Grantham, US
★★★★★ 4
Best academy I've read this year
Format: Kindle
I need a few things when it comes to a first book of a PNR romance series 1-Good world building (which this totally did) 2-An FMC I can root for (oh hell yes, Pandora is someone I can cheer for) 3-Good drama (can you say GROVEL BOYS!) 4-Enough story to make you feel like you really read something with meat (you saw this book is like 600 pages, yeah?) 5-A hook at the end so I want more! (please, Lyra, gimmie more?!? I need more!!) Be aware this book is a slow burn, but damn do I feel like there'll be some big payoff when it finally happens. Who doesn't like the buildup?
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Reviewed in the United States on June 4, 2024
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Steffikins
Lexington, US
★★★★★ 5
Pandora’s Pain, Power, and Passion
Format: Kindle
I absolutely love this new world Lyra Winters has created! The spin on a Demon Academy setting was fresh, unique, and completely addictive. Pandora is a character who immediately captured my heart. Thought to be powerless and enduring years of brutal abuse from her mother, it’s no surprise that her powers emerge at the exact moment she needs them most. After her mother’s death, Pandora discovers her father is none other than Death himself, a soul eater with a dark legacy. Her journey at the academy is anything but easy, filled with challenges tied to her father’s infamous reputation, her barely controlled abilities, and the cruelty of those around her. Pandora is easy to root for, you feel every ounce of her pain, resilience, and growth. Along the way she meets Reed, a half-human dream demon who’s kind, steady, and the kind of friend everyone wishes they had. There’s also Hunter, a vengeance demon and counselor connected to her father, who adds another intriguing layer to her story. Then there are the bullies: Dexter, a brooding shadow demon; Bram, a chaos demon with a drinking problem and deep hatred for demon nobility; and Skel, a fear demon wrestling with his own darkness. They might hurt her, but they also can’t seem to stay away when she’s in danger, making for some deliciously complicated dynamics. This book hits so many of my favorite tropes: friends to lovers, enemies to lovers, and of course, the irresistible “who hurt you?” storyline. I devoured it, and I’m already diving straight into book two!
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Reviewed in the United States on September 4, 2025
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Brandi
Bozeman, US
★★★★★ 5
So good!
Format: Kindle
Oh my goodness! What did I just read? Lyra Winters you have some serious explaining to do! That cliffhanger killed me! I am so happy to be back in the world of Kalista. This is definitely darker than Fates Hollow but oh so good. This is a fated mates reverse harem which I absolutely love. Pandora had a very hard and rough upbringing. She lives in pain constantly and it makes it hard on her. She struggles with everything because she was kept so isolated and is new to her magic. Pandora gets sent to the Reform Academy and all of them have reasons why they are there. I love how, after everything she has been through, she is still a nice person. She is growing and becoming stronger too. Love her character. The guys all act like jerks at first but all have a back story that helps understand why even though want to smack them. I'm here for the groveling that I'm sure will come. I love them all. They each bring something for her. They are all drawn to her though. This is a slow burn book but there will be more books in the series so sure it will build. Man, that cliffhanger was a doozy and need book 2 now!
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Reviewed in the United States on June 3, 2024
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Courtenay
Lake Worth, US
★★★★★ 3
Good-ish
Format: Kindle
🌶️ 0/5 ⭐️ 3/5 I will preface this by saying I am not a huge RH fan. However it didn’t feel like a RH quite yet. The relationships and plot are all building in this book. At first I was thinking things were happening stupid fast since she’s had zero interaction with another being and has been tortured her whole life, and I believe they were for one side of the relationship, but by 50% things moved too slow lol. Idk I think the main 1-3 guys I’m actually interested in more than the others didn’t get enough air time so I hope the next book things start moving with them since it ended the way it did.
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Reviewed in the United States on April 12, 2025
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Florina3090
Battle Creek, US
★★★★★ 5
Can I have Term 2 now?
Format: Kindle
This is by far my favorite book of Lyra's to date. I gobbled this book up so fast, I was so upset I finished it. I know this is going to be a book I reread, just like Fate Hollow Academy. I loved Fate Hollow Academy, so I was excited when Lyra announced she was taking us readers back to Kalista. Although the characters from Fate Hollow are mentioned several times throughout the book, this book is about Pandora and her love interests in the Demon Realm. Before you deep dive into this book, definitely look at the trigger warnings before you start. When Lyra says there's dark themes in this book, she meant it. Also, just know this book does end on a cliffhanger and will probably leave you with as many questions as it did me. Below may contain some minor spoilers, so keep that in mind if you want to keep reading my review. Pandora's first 2 decades of her life are full of torture, hatred, and confinement in a cellar. That is until her father finds her and brings her into the world she was supposed to live in. Because of her upbringing she wasn't acclimated to the Demon world and the way their society works so when she is offered the chance to go to a Demon Reform Accademy, she accepts it to learn the ways of society and how she is supposed to feed. Pandora isn't like the other common demons in this world, no. She, like her father Death, are soul-eaters. Pandora is too scared to release her powers because she doesn't want to kill anyone, so she needs to learn how to feed off of a piece of soul instead of taking the whole thing. Because of who her father is, she's classed as a Noble, and while she doesn't agree with her fellow Noble students, who look down on the "lower" class, she also is faced with 3 Demons who hate her for being a Noble. Theses a lot of back and forth tension which these 3 demons who have issues of their own. One is obsessed with her, and wants to know all of her secrets. One leaks fear all over the place, but also is scared of the "princess" -wink- -wink-. One is a complete drunk who doesn't like her just because he's got family Noble problems. Don't worry, there are 2 other demons who are just the sweetest towards her. One who will get vengeance for anything done to her, he's got Golden Retriever energy around her and touch her and die energy for anyone around her. Finally, there is one who is friends with her even when the whole school is scared of her, who brings her into his dreams and will create nightmares for those who bother her.
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Reviewed in the United States on June 4, 2024

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